|
Grant Geissman (born April 13, 1953) is a crossover jazz, contemporary jazz and new-age guitarist and an Emmy-nominated composer for network TV series and TV movies. He has recorded extensively for several labels since 1976 and played guitar on the theme for ''Monk'' and other TV series. Geissman was born in Berkeley, California. Growing up in San Jose, California, Geissman took guitar lessons from San Jose musicians, including Geoff Levin (of the pop group People!) and jazz musicians Bud Dimock, Don Cirallo and Terry Saunders. Encouraged by these teachers to learn jazz standards and to improvise, he began playing in rock bands on weekends and also with small jazz groups and big bands. As a high school senior, he entered formal study with avant-garde guitarist Jerry Hahn, who introduced him to the music of Charlie Parker, Miles Davis, John Coltrane and Ornette Coleman. After graduating from Prospect High School, Geissman attended De Anza Junior College, where he played in both De Anza's jazz band and the Daddio Band (of older professionals). Both were led by jazz educator Dr. Herb Patnoe, who was the director of Stan Kenton's Jazz Clinics. Since the Kenton band at that time had no guitar player, Patnoe recommended Geissman to teach at Kenton's summer clinics in both Sacramento and in Southern California. While teaching at these clinics for several summers, Geissman first met (and played with) drummer Peter Erskine and pianist Dan Haerle. Relocating to Los Angeles in 1973, Geissman attended one semester at Cal State Fullerton, where he played in the band led by pianist/clarinetist Tom Ranier. == Recordings == Transferring to Cal State Northridge in 1974 to be closer to the Hollywood studio scene, Geissman joined the Northridge "A" band led by jazz educator Joel Leach. While at Northridge, he began playing in both Gerald Wilson's Big Band and with Louie Bellson's Big Band, recording several albums with Bellson. For ''Louie Bellson's Live at the Concord Summer Festival'', Geissman contributed an original composition, "Starship Concord." He began playing in local jazz joints with Tony Rizzi's guitar band, recording ''Tony Rizzi's Five Guitars Play Charlie Christian'' (1976), which featured Tom Ranier and Pete Christlieb. Geissman's first gig with fluegelhornist/composer Chuck Mangione was at the Santa Monica Civic auditorium on November 9, 1976. A short tour of the Pacific Northwest followed, and soon after Mangione asked Geissman to become a permanent member of the band. Mangione's new band included Geissman, Charles Meeks on bass, Chris Vadala on woodwinds and James Bradley, Jr. on drums, and the first album with Mangione's new band was ''Feels So Good'' (1977), which sold two million copies. On radio, the single "Feels So Good", featuring Geissman's guitar solo, was an international hit with many airplays, and a 1980 issue of ''Current Biography'' called it the most recognized tune since "Michelle" by The Beatles. In 1978 Geissman released his first album as a leader, "Good Stuff" (Concord Jazz), which featured fellow Northridge alumnus Gordon Goodwin on sax, Tom Ranier on piano, Bob Magnussen on bass and Steve Shaeffer on drums. Grant left Mangione's band in 1981 to pursue other endeavors, including his own albums, session work and composing. Geissman has released 13 albums as a leader. Two of his albums (''Flying Colors'' and ''Time Will Tell'') reached number one in the Gavin and Radio and Records Contemporary Jazz airplay charts and many his recordings reached the top ten. He has recorded with such artists as Quincy Jones (''Q's Jook Joint'', 1995), Keiko Matsui, 3rd Force, David Benoit, Cheryl Bentyne, Lorraine Feather and Dianne Schur. He also had a guitar solo as a separate track on the Tiffany album ''Hold an Old Friend's Hand''. He was reunited with Mangione in 2000 when they recorded the album ''Everything for Love'' (Chesky Records). Geissman's early musical influences came full circle in 2003 when he played Dobro on Ringo Starr's ''Ringorama'' album. In 2006, he released his 13th album as a leader, ''Say That!'', on his own label, Futurism Records. A throwback to the jazz music that first influenced him, he has described the sound of this album as "Wes Montgomery meets Horace Silver meets Jimmy Smith." John Kelman, in ''All About Jazz'', reviewed: : It’s a shame that the words smooth jazz have become an oxymoron. ''Say That!'', with its relaxed pace and easy-on-the-ears approach, is as smooth as it gets. But smooth jazz it ain’t. Geissman’s clear roots in the jazz mainstream, and a less-is-more style that reveals greater depth, makes ''Say That!'' a welcome return to the fold for a guitarist who’s always deserved more street cred than he’s received. The Grant Geissman Quintet in 2006 included Brian Scanlon (woodwinds), Emilio Palame (piano), Kevin Axt (acoustic bass) and Ray Brinker (drums). After headlining the Playboy Summerfest at Pasadena's Rose Bowl, the Quintet followed with a debut at Yoshi's jazz club in Oakland, California and a performance in the Friday Night Jazz series at the Los Angeles County Museum of Art. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Grant Geissman」の詳細全文を読む スポンサード リンク
|